While social norms are changing towards non-consensual data collection and data exploitation, digital norms seem to be moving in the opposite direction. Advancements in machine learning algorithms and data storage capabilities are only making data misuse easier. Whether the outcome is revenge porn or targeted ads, surveillance or discriminatory AI, if we want a world where our data can retire when it’s outlived its time, or when it’s directly harming our lives, we must create the tools and policies that empower data subjects to have a say in what happens to their data… including allowing their data to die.
At every “node” along such a circuit, “inputs”—ecological, political, social, individual—are extracted and “exhausted.” The circuit, like capital, crosses boundaries without entirely obliterating them, and, similarly, connects a vast potential political subject across disparate lines—Global North and South, gender, class, race, nationality, religion, and sexuality. The extractive circuit is the socioecological portrait of capitalism historically and its transformations to maintain profitability in the face of immanent headwinds, like the long economic downturn and ecological limits themselves.
The impact of the container crisis now hitting residencies in proximity to trucking companies. Containers are being pulled out of the port and dropped anywhere the drivers can find because the trucking company lots are full. Ports are desperate to get containers out so they can unload the new containers coming in by boat. When this happens there is no plan to deliver this freight yet, they are literally just making room for the next ship at the port. This won’t last long, as this just compounds the shortage of chassis. Ports will eventually find themselves unable to move containers out of the port until sitting containers are delivered, emptied, returned, or taken to a storage lot (either loaded or empty) and taken off the chassis there so the chassis can be put back into use. The priority is not delivery, the priority is just to clear the port enough to unload the next boat.
And the honor bestowed upon him by the Nobel Committee has likely emboldened on his relentless course. “Abiy seemed to think,” says former diplomat Berhane Kidanemariam, “that he has now arrived all the way at the top, almost next to the Creator.” Tsedale Lemma, editor-in-chief of the Addis Standard newsmagazine, says that after receiving the prize, Abiy and his government had the feeling they were no longer accountable to anyone. “The Nobel Prize was like a coronation for life, that gave him the right to do whatever he wants.”
If humans disappeared tomorrow, about 1 billion dogs would be left on their own. The first clue to whether dogs would survive is here, in the basic demographics of current dog populations. These billion dogs occupy all corners of the globe, exploit diverse ecological niches, and live in a wide range of relationships with humans. Although many people, when asked to picture a dog, will think of a furry companion curled up on the couch by a human’s side or walking on the end of a leash, research suggests that roughly 20 per cent of the world’s dogs live as pets, or what we call ‘intensively homed dogs’. The other 80 per cent of the world’s dogs are free-ranging, an umbrella term that includes village, street, unconfined, community, and feral dogs. In other words, most dogs on the planet are already living on their own, without direct human support within a homed environment.
View and Listen
David Salee discusses the fifteen (or so) functions of good art, why it’s easier to write about money than art, what’s gone wrong with art criticism today, how to cultivate good taste, the reasons museum curators tend to be risk-averse, the effect of modern artistic training on contemporary art, the evolution of Cézanne, how the centrality of photography is changing fine art, what makes some artists’ retrospectives more compelling than others, the physical challenges of painting on a large scale, how artists view museums differently, how a painting goes wrong, where his paintings end up, what great collectors have in common, how artists collect art differently, why Frank O’Hara was so important to Alex Katz and himself, what he loves about the films of Preston Sturges, why The Sopranos is a model of artistic expression, how we should change intellectual property law for artists, the disappointing puritanism of the avant-garde, and more.
Peek into our adaptive immune system
Explore the origins and evolution of industry-funded experts who shaped everything from the breakfast table to our understanding of the economy and science.