There is a better way, one that would allow the United States to make decisions based not on simplistic extrapolations of the past but on smart estimates of the future. It involves reconciling two approaches often seen to be at philosophical loggerheads: scenario planning and probabilistic forecasting. Each approach has a fundamentally different assumption about the future. Scenario planners maintain that there are so many possible futures that one can imagine them only in terms of plausibility, not probability. By contrast, forecasters believe it is possible to calculate the odds of possible outcomes, thereby transforming amorphous uncertainty into quantifiable risk. Because each method has its strengths, the optimal approach is to combine them. This holistic method would provide policymakers with both a range of conceivable futures and regular updates as to which one is likely to emerge. For once, they could make shrewd bets about tomorrow, today.
https://www.foreignaffairs.com/articles/united-states/2020-10-13/better-crystal-ball
The atomic bomb marked the end of the Second World War and the beginning of the Cold War. The creativity of Manhattan Project scientists and engineers has been abundantly celebrated by later commentators, not so much in the immediate aftermath: the word ‘creativity’ doesn’t appear in the official Smyth Report (1945) on the Project. And the only invocation of the notion of genius is deflationary and morally exculpatory: ‘This weapon has been created not by the devilish inspiration of some warped genius but by the arduous labour of thousands of normal men and women.’ But the new atomic world was just the institutional and cultural environment in which creativity emerged, flourished and was variously interpreted.
https://aeon.co/essays/how-did-creativity-become-an-engine-of-economic-growth
Ancient Egyptians were an African people who created a distinctive, stable, and long-lasting civilization in the Nile Valley by at least 4400 BCE. They believed that images — objects representing the human form, rendered in stone, metal, wood, clay, or even wax—could be activated to host a supernatural power. This power could be either divine or the soul of a deceased human who had become divine at death. The occupied image was a meeting point between the supernatural and the terrestrial. It was also a physical body enabling such powers to act in our material world. Without an image, supernatural forces could not intervene in events on earth.
When the hapless JFK is assassinated in 1963, it seems that America may be on the losing side of history. The USSR has put a man in space, extended its influence in Latin America and it also has a large nuclear arsenal in the American SSR. The explosion of the Apollo 11 rocket on the launchpad in 1969, killing everyone on board, set against a background of civil unrest and the disastrous war in Vietnam, becomes a bitterly potent symbol of a nation that has lost its way. A year later Alexei Leonov, the first man to walk in space, becomes the first man to walk on the moon.
Advocates of psilocybin-assisted therapy tout it as the solution to the burgeoning mental health crisis. But, like MDMA, psilocybin is far from a culturally neutral drug, carrying both the shame of Schedule 1 status and a checkered social history. It too may need to build the kind of politically heterogeneous coalition of supporters that MDMA-assisted therapy enjoys.
But to generate a breadth of appeal, one challenge stands out: psilocybin seems to make people more liberal. Scientific reports associating psychedelic use and liberal values stretch back as far as 1971, and although these findings have been replicated more recently, a noncausal explanation is readily available. Those with conservative attitudes tend to look more disapprovingly on illicit drug use, making them less likely than liberals to try a psychedelic drug in the first place.
View and Listen
Story of blood transporter in Nigeria
Inventing a mechanical basketball hoop – an ingenious work of engineering creativity
Morgan Freeman narrates a mini-doc about the ocean’s newest species: plastic
Sound designer Al Nelson and paleontologist Julia Clarke talk about how the cries of dinosaurs were created for the Jurassic Park films
https://overcast.fm/+HhSdPhwEk
An interesting discussion on Life and works of Alan Turing.
https://overcast.fm/+IPNyeaXDQ
Four hundred years ago Galileo Galilei’s scientific findings were rejected because they didn’t fit the prevailing beliefs of the time. His story is disturbingly relevant today. Astrophysicist and author Mario Livio talks about its relevance.